Take a look at these medical professional weird images:
Image from page 144 of “Alaskana, or, Alaska in descriptive and legendary poems” (1892)
< img alt=" physician odd" src=" http://blog.filmfangear.com/wp-content/uploads/2016/12/14780784314_f6f22d69b2.jpg" width=" 400"/ > Image by< a href=" http://www.flickr.com/photos/126377022@N07/14780784314"
> Web Archive Book Images
Identifier : alaskanaoralaska00jame Title:< a href=" https://www.flickr.com/photos/internetarchivebookimages/tags/bookidalaskanaoralaska00jame" > Alaskana, or, Alaska in detailed and famous poems Year:< a href=" https://www.flickr.com/photos/internetarchivebookimages/tags/bookyear1892" > 1892(< a href=" https://www.flickr.com/photos/internetarchivebookimages/tags/bookdecade1890" > 1890s) Authors:< a href=" https://www.flickr.com/photos/internetarchivebookimages/tags/bookauthorJames__Bushrod_Washington__1836_1903" > James, Bushrod Washington, 1836-1903 Topics:< a href=" https://www.flickr.com/photos/internetarchivebookimages/tags/booksubjectAlaska" > Alaska Publisher:< a href=" https://www.flickr.com/photos/internetarchivebookimages/tags/bookpublisherPhiladelphia___Porter___Coates" > Philadelphia: Porter & Coates Contributing Library:< a href=" https://www.flickr.com/photos/internetarchivebookimages/tags/bookcontributorUniversity_of_California_Libraries" > University of California Libraries Digitizing Sponsor:< a href=" https://www.flickr.com/photos/internetarchivebookimages/tags/booksponsorMSN" > MSN View Book Page:< a href=" https://archive.org/stream/alaskanaoralaska00jame/alaskanaoralaska00jame#page/n144/mode/1up" rel=" nofollow" > Book Audience About This Book:< a href=" https://archive.org/details/alaskanaoralaska00jame" rel=" nofollow" >
Catalog Entry View All Images:< a href=" https://www.flickr.com/photos/internetarchivebookimages/tags/bookidalaskanaoralaska00jame" > All Images From Book Click here to< a href=" https://archive.org/stream/alaskanaoralaska00jame/alaskanaoralaska00jame#page/n144/mode/1up" rel=" nofollow" > view book online to see this illustration in context in a browseable online variation of this book. Text Appearing Before Image: ed powder, shouts and jabbers! Then, when stressed out, he gazes In the sick males
deal with to question If the devil who
had actually seized him Had actually not left, appeased and quiet. No. The fever still is raving. And the patient, strange the informing, Does not seem the least recuperated! 120 ALASKANA. So he waits another offeringOf the soft and cosy blankets, Wears another g-rinning mask-face, Modifications rattles, drums and potions, And begins a din so frio ^ htfulThat the last was tender musicWhen compared with all this clatter!Unsuccessful still, he changesTill his wiles are all tired, And the tortured victim threatensTo depart without delaying.Knowing well his doom is specific,– For his life should pay the forfeitIf his arts have been deceptiveAnd death ends his vicious treatment.-Suddenly he finds that witchcraftHas been played upon the client; And for blankets, fine and costlyHe will discover the witchs home, Discover the type that holds the witchsAnd redeem himself by doomingSome poor rascal to instant torture. Text Appearing After Image: ALASKAN DOCTORS. 121 So he turns with fearful gesturesThis way, that way, swaying forwardTill his
claw-like fingers, pointing, Pause
before some diminishing figure, And no words, no prayers, no pleadingCan avert the doom so transferredFrom the shrewd Shamans bodyTo the lowlife whose worst intentionNeer should have so sad an ending!Such these medical professionals, honored, trusted, Looked upon with higher reverenceThan the noblest old professor.Classed amongst our grandest pepple, Ever intends to win from studentsOr from those his skill has aided! POWER OF THE MEDICINE GUYS. T ^ HAT his people might understand how terrible Is the power within him vested, Know how strong his healing virtuesOr his will to call each spirit, Which he holds simultaneously to challengeOr to still in mild subjection; At a particular time, each ShamanSets a day to make exhibitsOf his expertise with the demonsHe has actually taken for his specials– Chosen as his weird familiars– Who however wait his sig ^ nal soundinorTo repair work and wait his bidding.On that day by him designated Keep in mind About Images Please note that these images are extracted from scanned page images that might have been digitally boosted for readability- coloration and appearance of these illustrations might not completely
resemble the initial work. Auditions Nov. 5 & 6 for Jekyll and Hyde, The Musical< img alt=" doctor strange" src =" https://farm7.staticflickr.com/6106/6266929211_040db0839a.jpg" width= "400"/ > Image by FatherDalton ATTACHED: Jekyll & Hyde reveal logo design FOR IMMEDIATE RELEASE CONTACT: Donna Di Sante, 313.881.2258, email@example.com Auditions for Jekyll and Hyde, The Musical November 5 & 6: Auditions for Grosse Pointe Theatre’s 3rd
production of the season, Jekyll and Hyde,
The Musicalwill be held at the Grosse Pointe Theatre rehearsal facility, 315 Fisher Roadway in Grosse Pointe on Saturday, November 5 &, 2011, from 1– 4 PM and Sunday, November 6, 2011, from 5-7 PM. Scripts and music are available for a. refundable deposit. Call 313-8814004 to find out more. Jekyll and Hyde, The Musicalis about brilliant Doctor Henry Jekyll, who. unsuspectingly unleashes his dark side, wreaking havoc on the streets of 19th. century London as the savage, maniacal Edward Hyde. Jekyll & Hyde’ smusic is by.
Frank Wildhorn, with book and lyrics by Leslie Bricusse. It was originally.
developed for the phase by Steve Cuden and Frank Wildhorn. The show is based upon.
the novella, The Odd Case of Dr. Jekyll & Mr. Hyde( 1886), & by Robert Louis. Stevenson. Director Beverly Dickinson says that the show consists of” … a. tempestuously romantic and effective rating and staging. If you have actually not listened.
to the program’s music, please do so– it’s truly fabulous! The program is likewise really.
technical, a little’ dark,’ with plenty of difficult roles for actor/singers.
to sink their teeth into. Please come and join us!”. Vocal & Dance.
Those auditioning may be taught additional song choices at auditions. Everyone should be prepared to move. Those without dance training are likewise. welcome. CHARACTER DESCRIPTIONS–
Please notethat the character ages shown are.
CHORUS -Both males and females will sing cuts from Facade. The chorus of this show.
needs high tenor and soprano voices. Auditioners might be taught additional.
at auditions. Stars playing the Board of Governors will also be part.
of the chorus,
if wanted. HENRY JEKYLL/ EDWARD HYDE. Mid-30s. Jekyll is devoted to his work, compulsive. about his beliefs to prove male’s duality of nature. Hyde is a wicked murderer,. not able to manage his passions and urges. This is a requiring function, vocally and.
physically. Tunes: This Is The Minute, Take Me As I Am. LUCY. 20s. A woman of the street, dancer/singer in the London club, The Red Rat has actually a. heart of gold, and is able to stand up to Hyde. Jekyll befriends her and becomes. her protector– and Hyde, her executioner. Tunes: Someone Like You, In His Eyes.
EMMA CAREW. 20s. Jekyll’s lovely fiancé is committed to him and his aspirations,.
and puzzled by his secrecy. Tunes: Take Me, As I Am, In His Eyes.
JOHN UTTERSON. 40s. Jekyll’s good friend. A great male, he begins to think Henry. Tunes: His Work and Nothing More. SIR DANVERS CAREW. 50s. Emma’s father and member of the Board of Governors. He. is a near to Henry Jektyll.
NELLIE. Unique, streetwise, a woman of the street and a’ hook ‘to bring clients into. the club.
Song: Façade. BOARD OF GOVERNORS. The Bishop of Basingstoke( hypocritical cleric); Lady. Beaconsfield( a well-dressed older woman); Sir Archibald Proops( the queen’s. counsel, all organisation); Lord Savage( man-about-town
, would “rather be. elsewhere” ); General Lord Glossop( older, powerful, cruel-looking). Simon. Stride. 30-40. In love with Emma, but bitter and malicious.
He is Secretary of. the Board of Governors. The Governors are all doubtful of Henry’s research and. objectives. These” excellent individuals” represent society’s façade. Board of Governors. audition tunes: Façade, His Work and Nothing More. Actors mustcome with personal calendars, to keep in mind any date conflicts between. November 7, 2011 and January 14, 2012. Due to the coming holidays, wedding rehearsals. will be carefully arranged instantly upon casting the program. Practice sessions and Program Dates. Show wedding rehearsals might begin as early as November 7or 8. Technical practice sessions will
. be held beginning January 8, 2012. Actors need to have the ability to rehearse Monday.
through Friday nights of that week. The program opens Sunday, January 15
, 2012. with a 2 PM matinee, and
closes on Saturday, January 28, 2012. Thursday through. Saturday efficiencies are at
8 PM. On Sunday, January 22 the efficiency is at 2.
PM. Performances take location at the Grosse Pointe War Memorial in Fries.
Auditorium. Grosse Pointe Theatre Subscription. This is a neighborhood theatre production andactors are overdue, however head shots,. outfits, makeup and drinks are supplied.
Actors must be members of Grosse. Pointe Theatre to perform in the program.
Yearly dues are. For additional details about Jekyll and Hyde, contact director Bev. Dickinsonat( 248.398.0673) or music
director John Dickinson (248.398.0673 ). To deal with the technical staff or phase
team, contact manufacturers Emmajean Evans. at 313.881.4004 or Cyndy Nehr at 313.378.2242. For additional info about Grosse Pointe Theatre, see the website at.< a href=" http://www.gpt.org" rel=" nofollow" > www.gpt.org or call 313.881.4004.( end) Image from page 281 of “Baltimore and Ohio workers publication”( 1920) Image by< a href =" http://www.flickr.com/photos/126377022@N07/14756242464 "> Internet Archive Book Images Identifier: baltimoreohioemp09balt. Title:< a href=" https://www.flickr.com/photos/internetarchivebookimages/tags/bookidbaltimoreohioemp09balt" > Baltimore and Ohio employees magazine Year:< a href=" https://www.flickr.com/photos/internetarchivebookimages/tags/bookyear1920" > 1920(< a href=" https://www.flickr.com/photos/internetarchivebookimages/tags/bookdecade1920" > 1920s) Authors:< a href="
https://www.flickr.com/photos/internetarchivebookimages/tags/bookauthorBaltimore_and_Ohio_Railroad_Company” > Baltimore and Ohio Railway Company< a href=" https://www.flickr.com/photos/internetarchivebookimages/tags/bookauthorBaltimore_and_Ohio_Railroad_Company" > Baltimore and Ohio Railroad Company Topics:< a href=" https://www.flickr.com/photos/internetarchivebookimages/tags/booksubjectRailroads______Employees______Periodicals" > Railroads– Employees– Regulars< a href=" https://www.flickr.com/photos/internetarchivebookimages/tags/booksubjectRailroads____United_States____Employees" > Railroads– United States– Staff members Publisher:< a href=" https://www.flickr.com/photos/internetarchivebookimages/tags/bookpublisher_Baltimore___Baltimore_and_Ohio_Railroad_" > [Baltimore, Baltimore and Ohio Railway] Contributing Library:< a href=" https://www.flickr.com/photos/internetarchivebookimages/tags/bookcontributorUniversity_of_Maryland__College_Park" > University of Maryland, College Park Digitizing Sponsor:< a href=" https://www.flickr.com/photos/internetarchivebookimages/tags/booksponsorLYRASIS_Members_and_Sloan_Foundation" > LYRASIS Members and Sloan Foundation View Book Page:< a href=" https://archive.org/stream/baltimoreohioemp09balt/baltimoreohioemp09balt#page/n281/mode/1up"
rel=” nofollow” > Book Audience About This Book:< a href=" https://archive.org/details/baltimoreohioemp09balt" rel=" nofollow" > Brochure Entry View All Images:< a href=" https://www.flickr.com/photos/internetarchivebookimages/tags/bookidbaltimoreohioemp09balt" > All Images From Book Click on this link to< a href=" https://archive.org/stream/baltimoreohioemp09balt/baltimoreohioemp09balt#page/n281/mode/1up" rel=" nofollow" > view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: ant. Why, sure, stranger; I purchase them anv-thmg they need, whether they want it ornot. Then, sir, let me offer you an encyclo-pedia for them; theres absolutely nothing else thatwill benefit them so much. The farmer looked at the representative inastonishment. Why, complete stranger, said he, them kids
of mine do not need no cyclo-pedias. They ride bosses! William. TRm, soN, Snoqualmie FaIs, Wash. Minister: yould you care to join us inthe new missionary motion? Miss Helen: Im crazy to try it. Is itanything like the fox-trot?– Exchange. PATENTS BOOKLET FREE. HIGHEST REFERENCES.PROMPTNESS ASSURED. BEST RESULTS. S” nd drawing or model for examination aadrevert aa to pbtantability. WATSON E. COLEMAN PATENT LAWYER t24 F Street, N. W. Washington, D. C. PlC( n Where He Go What time next train go to Washing-ton? a taking a trip Chinese asked the railroadclerk. Two-two, responded the official. You no comprehend, insisted the Celes-tial. I know the train go too-too. I noask how he go. I ask when he go!– Locomotive Engineer Journal. Text Appearing After Image: Powerful Sick In the brilliant sunshine on a railway sta-tion platform in Georgia slept a coloredbrother. He snored gently, with his mouthajar and his long wet tongue resting on hischeek like a plush necktie. A Northernerclimbed off a train to extend his legs, un-screwed the top of a pill and cleaned thegrains of
quinine on the surface area of the dar-keystongue. Presently the negro suckedhis tongue back inside his mouth and in-stantly he developed with a shout and lookedabout him extremely. Mistah, he stated, kin yo tell me whatI kin fina doctah. Exactly what do you desire with a medical professional? Im effective sick. Do you understand whats the matter withyou? Suttinly I knows wuts de mattah withme– mah galls done busted.– Anonymous. Pat: Mike was drowned last night.Jake: Couldnt he swim?Pat: Yes, but he was a union male; heswam for eight hours and after that he gave up.– Exchange.:.: -“” ■ – – -/( P 1-0,,,, f ^- ^ a ^ lfiinbre!ahJQp8. _ Volume 9 Baltimore, September, 1921 Nimiber 5 Contents Ad announcing that Note About Images Please note that these images are extracted from scanned page images that might have been digitally enhanced for readability- pigmentation and appearance of these illustrations may not completely look like the initial work.