A couple of great x men images I discovered:
< img alt=" x guys" src=" http://blog.filmfangear.com/wp-content/uploads/2016/07/3226913363_b3ea49ef7c.jpg" width=" 400"/ > Image by< a href=" http://www.flickr.com/photos/60262015@N00/3226913363" >
EricMagnuson A viewer taking a photo of a boarder in the elmination round of the Male’s SuperPipe occasion at the Winter X Games 13 in Aspen, Colorado.
UPDATE: I am auctioning off four of my pictures as part of the CHARITY PRINT AUCTIONS group on Flickr. 100% of the profits go toward the relief effort in Haiti. For more details: take a look at each of the pictures here:
< a href=" http://www.flickr.com/photos/esm723/3800540142/" > www.flickr.com/photos/esm723/3800540142/< a href=" http://www.flickr.com/photos/esm723/3756974849/" > www.flickr.com/photos/esm723/3756974849/< a href=" http://www.flickr.com/photos/esm723/3757464972/" > www.flickr.com/photos/esm723/3757464972/< a href=" http://www.flickr.com/photos/esm723/3336905639/" > www.flickr.com/photos/esm723/3336905639/ Army Photography Contest- 2007- FMWRC- Arts and Crafts- Eye
of the Holder< img alt=" x guys" src= "http://blog.filmfangear.com/wp-content/uploads/2016/07/4930275692_0e90d42330.jpg" width=" 400"/ > Image by< a href=" http://www.flickr.com/photos/36196762@N04/4930275692"
> familymwr Army Photography Contest- 2007- FMWRC- Arts and Crafts- Eye of the Holder Image By: SGT Pablo Piedra To discover more about the annual U.S. Army Photography Competition, visit us online at
< a href =" http://www.armymwr.com" rel =" nofollow "> www.armymwr.com U.S. Army Arts and Crafts History After World War I the reductions to the Army left the United States with a little force
. The War Department faced monumental obstacles in getting ready for The second world war. Among those difficulties was soldier morale. Recreational activities for off responsibility time would be vital. The arts and crafts program informally developed to enhance the needs of the War Department. On January 9, 1941, the Secretary of War, Henry L. Stimson, appointed Frederick H. Osborn, a popular U.S. business person and philanthropist, Chairman of the War Department Committee on Education, Entertainment and Social work. In 1940 and 1941, the United States participation in The second world war was more of compassion and anticipation than of action. Nevertheless, various kinds of organizations were searching for ways to assist the war effort. The Museum of Modern Art in New York was one of these organizations. In April, 1941, the Museum revealed a poster competition,” Posters for National Defense. “The directors specified “The Museum feels that in a time of nationwide emergency situation the artists of a country are as important a possession as males proficient in other fields, and that the nation’s first-rate skill should be made use of by the government for its main design work … Conversations have been held with officials of the Army and the Treasury who have actually expressed amazing enthusiasm … “. In Might 1941, the Museum showed” Britain at War”, a show picked by Sir Kenneth Clark, director of the National Gallery in London. The “Prize-Winning Defense Posters” were displayed in July through September concurrently with” Britain at War. “The enormous overnight development of the military force meant mobilization type building at every camp. Building and construction was quickly; facilities were not elegant; rather dull and dismal. In 1941, the Fort Custer Army Illustrators, while on exhausting war video games maneuvers in Tennessee, documented the exercise The Publication of the Museum of Modern Art, Vol. 9, No. 3( Feb. 1942 ), described their work
.” Results were remarkably great; they showed severe devotion … to the purpose of illustrating the Army scene with unvarnished realism and an exceptional capability to capture this scene from the soldier’s perspective. Civilian amateur and expert artists had been changed into soldier-artists. Truth and simple documentation had actually supplanted( replaced )the old romantic glorification and false dramatization of war and the slick suavity( charm) of business illustration.”. “In August of last year, Fort Custer Army Illustrators held an exhibition, the first of its kind in the new Army, at the Camp Service Club. Soldiers who saw the exhibit, numerous of whom had never ever been inside an art gallery, enjoyed it completely. Civilian visitors, too, came and admired. The work of the group showed them a brand-new aspect of the Army; there were many stages of Army life they had actually never seen or heard of previously. Papers made much of it and, essential, the Army authorized. Army authorities saw that it was not just genuine material, but that here provided enlivenment( vitalization )to the Army and a vivid medium for communicating the Army’s purposes and processes to civilians and soldiers.”. Brigadier General Frederick H. Osborn and War Department leaders were worried due to the fact that couple of soldiers were utilizing the off task entertainment locations that were available. Army leaders recognized that efficiency is straight associated with spirits, which morale is largely figured out from the way where an individual invests his own spare time. Army spirits improvement through positive off responsibility leisure programs is critical in fight staging areas. To motivate soldier use of programs, the facilities dull and uninviting environment needed to be enhanced. A program using talented artists and artisans to decorate day rooms, mess halls, leisure halls and other places of general assembly was established by the Facilities Section of Unique Solutions. The purpose was to offer an environment that would show the military custom, achievements and the high requirement of army life. That this work was to be done by the men themselves had the added advantage of adding to the esprit de corps( synergy, or group spirit) of the device. The strategy was very first evaluated in October of 1941, at Camp Davis, North Carolina. A studio workshop was set up and a group of soldier artists were put on special responsibility to design and embellish the centers. In addition, evening recreation art classes were set up two times a week. A 2nd test was established at Fort Belvoir, Virginia a month later. The success of these programs result in more installations requesting the program. After Pearl Harbor was bombed, the Museum of Modern Art appointed Mr. James Soby, to the position of Director of the Armed Service Program on January 15, 1942. The subsequent program became a mix of occupational therapy, exhibitions and morale-sustaining activities. Through the efforts of Mr. Soby, the museum program consisted of; a screen of Fort Custer Army Illustrators work from February through April 5, 1942. The museum also suched as the work of soldier-photographers in this exhibition. On Might 6, 1942, Mr. Soby opened an art sale of works donated by museum members. The sale was to raise funds for the Soldier Art Program of Special Services Division. The bulk of these proceeds were to be used to supply facilities and materials for soldier artists in Army camps throughout the nation. Members of the Museum had responded with paintings, sculptures, watercolors, gouaches, illustrations, etchings and lithographs. Numerous works were received, including oils by Winslow Homer, Orozco, John Kane, Speicher, Eilshemius, de Chirico; watercolors by Burchfield and Dufy; drawings by Augustus John, Forain and Berman, and prints by Cezanne, Lautrec, Matisse and Bellows. The War Department strategy using soldier-artists to decorate and enhance buildings and premises worked.
Many artists who had actually been prepared into the Army volunteered to paint murals in waiting spaces and clubs, to decorate dayrooms, and to landscape premises. For each artist at work there were a thousand soldiers who enjoyed. These onlookers clamored to participate, and classes in drawing, painting, sculpture and photography were provided. Larger working space and more trainers were needed to fulfill the growing need. Civilian art instructors and regional neighborhoods assisted to fulfill this cultural requirement, by offering volunteer guideline and centers. Some earnings from the Modern Museum of Art sale were used to print 25,000 brochures called” Interior decoration and Soldier Art. “The booklet revealed examples of soldier-artist murals that embellished locations of general assembly. It was an overview of arranging, preparing and executing the soldier-artist program. The balance of the art sale profits were utilized to buy the initial arts and crafts home furnishings for 350 Army installations in the USA. In November, 1942, General Somervell guided that a group of artists be picked and dispatched to active theaters to paint war scenes with the terms that soldier artists would not paint in lieu of military duties. Aileen Osborn Webb, sibling of Brigadier General Frederick H. Osborn, launched the American Crafts Council in 1943. She was an early champ of the Army program. While soldiers were taking part in repaired facilities in the USA, many troops were being delivered overseas to Europe and the Pacific( 1942-1945 ). They had extended periods of idleness and waiting in staging locations.
At that time the wounded were depending on medical facilities, both on land and in ships at sea. The War Department and Red Cross responded by acquiring sets of arts and crafts tools and products to distribute to “these restless personnel.” A variety of small” Handicraft Sets “were dispersed free of charge. Leathercraft, celluloid etching, knotting and intertwining, metal tooling, drawing and clay modeling are examples of the types of packages sent. In January, 1944, the Interior Design Soldier Artist program was more properly called the” Arts and Crafts Area” of Special Services. The mission was “to fulfill the natural human desire to create, offer chances for self-expression, serve old abilities and establish brand-new ones, and assist the whole entertainment program through building and construction work, promotion, and decoration.”. The National Army Art Contest was prepared for the late fall of 1944. In June of 1945, the National Gallery of Art in Washington D.C., for the first time in its history opened its facilities for the exhibition of the soldier art and photography sent to this contest.
The “Infantry Journal, Inc.” printed a small paperback booklet including 215 photos of pictures exhibited in the National Gallery of Art. In August of 1944, the Museum of Modern Art, Army Program, organized an art center for veterans. Abby Rockefeller, in particular, had a strong interest in this job. Soldiers were invited to sketch, paint, or model under the assistance of proficient artists and craftsmen. Victor d’Amico, who was in charge of the Museum’s Education Department, was priced quote in Russell Lynes book, Good Old Modern: An Intimate Portrait of the Museum of Modern Art.” I asked one fellow why he had actually taken up art and he stated, Well, I just came back from damaging everything. I made up my mind that if I ever got out of the Army and from the war I was never ever going to ruin another thing in my life, and I decided that art was the thing that I would do. “Another male stated to d’Amico, “Art is like an excellent night’s sleep. You leave refreshed and at peace.”. In late October, 1944, an Arts and Crafts Branch of Special Services Department, Headquarters, European Theater of Operations was developed. A versatile program of handcrafts grew amongst the Army profession troops. The increased interest in crafts, rather than arts, at this time cause a new name for the program: The” Handicrafts Branch.”. In 1945, the War Department released a new manual,” Soldier Handicrafts “, to assist execute this brand-new emphasis. The handbook contained guidelines for establishing crafts facilities, picking along with improvising tools and equipment, and basic info on a variety of arts and crafts. As the Army moved from a fight to a peacetime role, most of crafts stores in the United States were equipped with woodworking power machinery for building of furnishings and things for personal living. Based on this new
trend, in 1946 the program was again relabelled, this time as” Manual Arts.”. At the same time, abroad programs were now utilizing regional artists and artisans to run the crafts centers and advise in a range of arts and crafts. These highly knowledgeable, native teachers helped to promote the soldiers’ interest in the particular native cultures and artifacts. Countless soldiers abroad were motivated to tape their experiences on film. These pictures supplied an invaluable means of communication in between troops and their families back home. When the war ended, the Navy had a firm of designers and draftsmen on agreement to develop ships. Considering that there was no longer a requirement for more ships, they were provided a brand-new assignment: To establish a series of training guides for arts and crafts. These were called” Hobby Manuals.” The Army was impressed with the quality of the Navy handbooks and had them reprinted and adopted for usage by Army soldiers. By 1948, the arts and crafts practiced throughout the Army were so varied and varied that the program was relabelled “Pastime Shops.” The very first” Interservice Photography Contest “was held in 1948. Each service is qualified to send 2 years of their winning entries forward for the bi-annual interservice contest. In 1949, the very first All Army Crafts Contest was likewise held. As soon as again, it was clear that the program title,” Pastime Shops “was misleading and overlapped into other kinds of entertainment. In January, 1951, the program was designated as” The Army Crafts Program. “The program was acknowledged as a vital Army entertainment activity together with sports, libraries, service clubs, soldier shows and soldier music. In the official declaration of objective, expert leadership was stressed to guarantee a balanced, progressive schedule of arts and crafts would be carried out in well-equipped, attractive facilities on all Army setups. The program was now defined in regards to a” Fundamental 7 Program” that included: illustration and painting; ceramics and sculpture; metal work; leathercrafts; design structure; photography and woodworking. These programs were to be performed routinely in facilities understood as the” multiple-type crafts store. “For functional factors, these facilities were divided into two separate technical areas for woodworking, photography and the arts and crafts. Throughout the Korean Conflict, the Army Crafts program made use of the personnel and shops in Japan to train soldiers to advise crafts in Korea. The mid-1950s saw more soldiers with automobiles and the have to fix their automobiles was acknowledged at Fort Carson, Colorado, by the craft director. Soldiers familiar with crafts stores understood that they had tools and so vehicle crafts were developed. By 1958, the Engineers released an Authorities Design Guide on Crafts Shops and Auto Crafts Shops. In 1959, the first All Army Art Contest was held. Again, the Army Crafts Program reacted to the needs of soldiers. In the 1960’s, the war in Vietnam was a brand-new obstacle for the Army Crafts Program. The program had three levels of assistance; fixed facilities, mobile trailers created as portable image laboratories, and when again a” Set Program.” The kit program originated at Headquarters, Department of Army, and it proved to be popular with soldiers
. Tom Turner, today a well-known studio potter, was a soldier at Ft. Jackson, South Carolina in the 1960s. In the December 1990/ January 1991 “American Crafts” publication, Turner, who had actually been a graduate student in art school when he was prepared, stated the program was” a godsend.”. The Army Artist Program was re-initiated in cooperation with the Workplace of Military History to record the war in Vietnam. Soldier-artists were determined and teams were
formed to draw and paint the occasions of this combat. Exhibitions of these soldier-artist works were produced and toured throughout the USA. In 1970, the original name of the program,” Arts and Crafts “, was restored. In 1971, the” Arts and Crafts/Skills Development Program” was established for budget presentations and building jobs. After the Vietnam demobilization, a brand-new focus was put on service to families and kids of soldiers. To fulfill this new obstacle in an environment of funding restraints the arts and crafts program started charging charges for classes. More part-time workers were used to teach formal classes. In addition, a requirement for more technical-vocational skills training for military personnel was satisfied by close coordination with Army Education Programs. Army arts and crafts directors worked with soldiers throughout “Project Transition” to establish soldier skills for new careers in the general public sector. The primary obstacle in the 1980s and 90s was, and is, to end up being” self-reliant. “Directors have been forced to find more ways to produce increased income to help defray the loss of appropriated funds and to cover the non-appropriated funds expenditures of the program. Programs have actually added and increased emphasis on services such as, photo framing, gallery sales, inscribing and trophy sales, and so on. New programs such as multi-media computer graphics appeal to clients of the 1990’s. The Gulf War provided the Army with some familiar challenges such as workers off duty time in staging areas. Department of Army volunteer civilian leisure professionals were sent to Saudi Arabia in January, 1991, to arrange entertainment programs. Arts and crafts materials were sent out to the theater. An Army Humor Animation Contest was carried out for the soldiers in the Gulf, and arts and crafts programs were set up to meet soldier interests.
The increased operations pace of the’ 90’s Army has once again positioned emphasis on satisfying the” leisure requirements of deployed soldiers. “Arts and crafts activities and a range of programs are assets leaders need to need to meet the deployment difficulties of these really different circumstances. The Army arts and crafts program, no matter what it has been titled, has actually made some distinct contributions for the military and our society in general. Army arts and crafts does not fit the narrow meaning of illustration and painting or making ceramics, but the much bigger sense of arts and crafts. It is painting and drawing. It also includes:. * all kinds of design.( fabric, clothing, family devices, meals, vases, houses, cars, landscapes, computers, photocopier, desks, commercial machines, weapon systems, air crafts, roads, and so on. ). * used innovation( photography, graphics, woodworking, sculpture, metal smithing, weaving and fabrics, sewing, marketing, enameling, stained glass, pottery, charts, charts, visual assistants and even formats for correspondence …). * a way of making learning enjoyable, practical and meaningful( through the process of creating and making an object the creator need to choose which materials and methods to use, therefore taking part in creative problem resolving and discovery) skills taught have military applications. * a method to get quality products and save money by doing-it-yourself (making furnishings, gifts, fixing things …). * a method to pursue college credit, through on post classes. * a universal and non-verbal language (a picture deserves a thousand words). * food for the human psyche, an element of spirits that allows for specific expression( flexibility ). * the event of human spirit and excellence (our highest type of public recognition is through a dedicated monument ). * physical and psychological therapy( motor ability development, tension reduction, etc.). * an activity that promotes self-reliance and self-confidence. * the record of humanity, and in this case, of the Army. Exactly what
would the world be like today if this normally unidentified program had not existed? To quantitatively specify the overall effect of this program on the world is difficult. Countless soldier citizens have actually been straight and indirectly exposed to arts and crafts because this program existed. One activity, photography can supply a clue to its effect. Soldiers encouraged to take images, starting with WW II, have shared those images with friends and family. Classes in “The best ways to Utilize a Camera” to “How to Establish Movie and Print Photos “were important in soldiers seeing the outcomes of using quality equipment. A great camera and lens could make a big distinction in the quality of the print. They bought the top of the line devices. When they were discharged from the Army or home on leave this brand-new devices was showed to the family and friends. Without this motivation and direct exposure to photography many would not have tape-recorded their individual experiences or known the distinction quality devices might make. Families and friends would not have had the opportunity to” see” the environment their soldier was living in without these pictures. Germany, Italy, Korea, Japan, Panama, etc. were far away puts that a lot of had actually not checked out. As the twenty first century approaches, the predictions for an arts renaissance by Megatrends 2000 seem sensible based upon the Army Arts and Crafts Program useful experience. In the April ’95 concern of” American Demographics” publication, an article titled “Generation X” completely supports that this is undoubtedly the case today. Television and computers have actually greatly added to “Generation X” being more interested in the visual arts and crafts. Link with us:.< a href =" http://www.Facebook.com/FamilyMWR" rel=" nofollow" > www.Facebook.com/FamilyMWR< a href=" http://www.Twitter.com/FamilyMWR" rel=" nofollow" > www.Twitter.com/FamilyMWR< a href=" http://www.YouTube.com/FamilyMWR" rel= "nofollow" > www.YouTube.com/FamilyMWR