Image from page 62 of “The American yearly of photography” (1914 )

Some cool doctor strange images:

Image from page 62 of “The American yearly of photography” (1914 )
doctor strange
< img alt=" medical professional unusual" src="" width=" 400"/ > Image by< a href=""
> Web Archive Book Images
: americanannualof28newy Title:< a href="" > The American yearly of photography Year:< a href="" > 1914(< a href="" > 1910s) Authors:. Subjects:< a href="" > Photography Publisher:< a href="" > New York: Tennant and Ward Contributing Library:< a href="" > Harold B. Lee Library Digitizing Sponsor:< a href="" > Brigham Young University View Book Page:< a href="" rel=" nofollow" > Book Viewer About This Book:< a href="" rel=" nofollow" > Catalog Entry View All Images:< a href="" > All Images From Book Click on this link to< a href="" rel=" nofollow" > view book online to see this illustration in context in a browseable online version of this book. Text Appearing Prior to Image: valuable outcomes, thanthat of photo-micrography, which allows the microscopist tosecure a wealth of detail from
the minute forms of life quiteimpossible by any system of sketching through a cameralucida. Vlt should not be forgotten that both cam and cameralucida might be a rewarding source of error, either through absenceof understanding essential to avoid it, or the predisposition of what is calledthe individual equation. For pictorial purposes this individu- 34 ality is of the greatest significance, and latitude is rightly givenin the treatment of both negative and print, but to the scientificworker whose aim ought to be to portray nature simply as it issuch doctoring of an unfavorable is strictly forbidden. Mereprettiness is of no worth unless it communicates an honest renderingof the object photographed, and this dominating aspect ofaccuracy ought to be kept in mind by all photo-micrographers. Now, it is a strange truth that there are numerous medical studentsand amateurs in every grade of society who take up pho- Text Appearing After Image: ENLARGED POLYCYSTINA. Highlighting Short Article Microscopic Lense and Video Camera, by Walter Bagshaw, F.R.M.S. tography as a pastime, while at the very same time regularlyusingthe microscope for serious workwho nevertheless have actually nevertried the camera and microscopic lense in combination. This may develop from lack of thought, though probably atotal mistaken belief of fancied difficulties has actually had a deterringeffect. Whether from one or both causes the function of thepresent article is to call attention to the fascinating simplicityof photographing through the microscope. Independent ofweather, landscapes, and sunlight, the photographer may be seatedat a comfortable fireside by gaslight and produce images mar- 35 velous and explanatory; records of a huge kingdom unnoticeable tothe unassisted eye. An easy experiment will make it possible for theowner of any microscope to utilize it as a magic lantern forprojecting a magnified image of his slide on to a piece ofwhite cardboard, and the only distinction betwixt enlargementsmade in this way Note About Images Please note that these images are extracted from scanned page images that may have been digitally improved for readability – coloration and appearance of these illustrations may not perfectly resemble the original work. Image from page 577 of” Leaders of Polk County

, Iowa, and reminiscencesof early days “( 1908)< img alt=" doctor strange" src="" width=" 400"/ > Image by< a href="" > Internet Archive Book Images Identifier: pioneersofpolkco02andr. Title:< a href ="" > Pioneers of Polk County, Iowa, and reminiscences of early days Year:< a href="" > 1908(< a href="” > 1900s) Authors:< a href="" > Andrews, Lorenzo F., 1829-1915 Subjects: < a href="" > Polk County( Iowa)– History< a href="" > Polk County( Iowa)– Bio Publisher:< a href="" > Des Moines, Baker-Trisler Company Contributing Library:< a href="" > Allen County Town Library Genealogy Center Digitizing Sponsor:< a href="" > MSN View Book Page:< a href="" rel=" nofollow "> Book Audience About This Book:< a href="" rel=" nofollow" > Brochure Entry View All Images:< a href="" > All Images From Book Click here to< a href="" rel=" nofollow" > view book online to see this illustration in context in a browseable online version of this book. Text Appearing Prior to Image: esizzle-sozzle. At another time, in his demands for Divine favor, he stated: Thou knowest, O Lord, that I am in requirement of a set ofshoes, and Medical professional Dickenson is the man to provide to me.

TheDoctor provided the shoes.
He was a firm believer in DivineProvidence– that the Lord would offer His own. One morn-ing, a poor lady came to his door pleading. He provided her hiswifes shoes, leaving her shoeless. Throughout the day, a male gavehim a five-dollar bill, with which he purchased his other half a set ofshoes. He was accustomed to set about town, see families, have asocial chat, and welcome them to attend his conferences. In one familywas a female who revealed a desire to go to, however she had no bon-net. Edwards, at the next meeting, did not forget it, and in hisprayer said: And, O Lord, send Jennie Sanford a new bonnet, so she can go to church. His personal allusions were gotten without affront, for hissincerity, kindness, and real Christian spirit deactivated them of allsting. December Eighth, 1907. Text Appearing After Image: SAMUEL B. GARTON SAMUEL B. GARTON APTOISTEEE of the county who has actually been carefully identifiedwith the growth of Des Moines, more specifically that of theEast Side, is Saimiel B. Garton, or Sam., as

he is familiarlycalled by old-timers. He was born in Wisley, County of Surrey, England, February Third, 1848. His dad resided on a small, leased farm, raised wheat and tablevegetables, which he required to London and offered in a market stall.Ha ing a household of four young boys and 3 girls, he discovered it tough tomake both ends meet at the end of the year. Heai-ing so muchof the possibilities for a pauper in America, he decided to comeand try it. Appropriately, May Twenty-third, 1854, with his family, he left London on the sailing vessel, Christiana, and arrived atISTew l ^ ork on the evening of July 4th, amid the glare of fire-works and hubbub of the celebration of the anniversary of theDeclaration of Self-reliance by the New England, an unusual greet-ing to an English-born person. Immediately on landing Note About Images Please note that these images are drawn out from scanned page images that may have been digitally enhanced for readability- pigmentation and appearance of these illustrations might not perfectly look like the original work


Nice Assassins Creed photos

Take a look at these assassins creed images:

mie foto 024
assassins creed
< img alt="assassins creed"src=""width="400"/ > Image by Micol Buti
assassins creed
_ DSC0779.jpg Image by SagaDeGeminis mie foto 019
assassins creed
< img alt="assassins creed"src =""width ="400"/ > Image by Micol Buti


Take a look at these the avengers images:

the avengers
< img alt=" the avengers" src="" width=" 400"/ > Image by< a href= "" > BruceMatsunaga The Arizona Avengers always do a fantastic job for KNTR!

E3 2011 – Captain America’s outfit from Captain America: the First Avenger (Sega)
the avengers
< img alt=" the avengers" src="" width=" 400"/ > Image by< a href= "" > Doug Kline picture 2011 taken by Doug Kline
If you have an interest in higher resolution variations of my images, call me by means of my profile page.

wendy adams cosplay 1×1
the avengers
< img alt="the avengers"src=""width="400"/ > Image by RyC-Behind The Lens taylor bartram of taylor bartram photography cosplays wendy adams of the adams family.

Cool X Men images

A few good x men images I found:

Joke Photo of Unidentified Soldiers of the Allied Army of Occupation, Germany
x men
< img alt=" x guys" src="" width=" 400"/ > Image by< a href="" > Galt Museum & Archives on The Commons

2.25 x 5.5
black and white photo
no unfavorable

Unknown soldiers posed in a set with a boat. All however one can be seen with a glass of beer.

To acquire high quality and bigger recreations of this image please check out the Galt Museum & & Archives site: and include thIs number in your request:


Marithe Francois Girbaud
x men
< img alt="x guys"src =""width ="400"/ > Image by Martin W. Niese X Style


A few great wonder women images I discovered:

wonder women
< img alt="wonder women"src=""width="400"/ > Image by WalterPro Tampa Fetish Con – “”Super Heroine Face-off IX”” – George Pérez, writer and illustrator of comic books, understood for his work on titles consisting of The Avengers, Teenager Titans, and Marvel Lady was the Special Master of Ceremonies for the Super Heroine Face-off IX

Lynda Carter as Wonder Woman
wonder women
< img alt="marvel women"src =""width ="400"/ > Image by Tom Simpson From”Skateboard Wiz”

Great The Avengers pictures

Some cool the avengers images:

AMC5 Pt6 Glenn Shorrock
the avengers
< img alt=" the avengers" src="" width=" 400"/ > Image by< a href= "" > PeterTea Glenn Shorrock From Wikipedia, the totally free encyclopedia Glenn Barrie Shorrock (born 30 June 1944) is an English-born Australian singer-songwriter. He was a founding member of pop groups The Twilights, Axiom and Little River Band as well as being a solo entertainer.
The Twilights had 8 successive nationwide hit songs consisting of “” Needle in a Haystack” “and “” Exactly what’s Incorrect with the Way I Live””. Axiom’s leading 10 hits were “” Arkansas Yard”” “,” Little Ray of Sunlight” “and “” My Infant’s Gone””. Little River Band had national and worldwide chart success, including the Shorrock-penned “” Emma”, “” Assist Is on Its Method” “and “” Cool Modification””
. Shorrock was inducted into the Australian Recording Market Association (ARIA) Hall of Fame as a solo artist in 1991 and as a member of Little River Band in 2004. In May 2001 the Australasian Performing Right Association (APRA), as part of its 75th Anniversary events, named “” Cool Change” “as one of the APRA Top 30 Australian tunes of perpetuity.
Twighlights Glenn Barrie Shorrock was born upon 30 June 1944 in Chatham, Kent, United Kingdom. His household moved to Adelaide, South Australia in August 1954 when he was 10. [1] His father was a Yorkshire-born trimmer and turner at the Defense Research Study Facility in Salisbury. [2] The 1954– 55 summertime had days of 42 ° C (108 ° F) and Black Sunday bushfires wrecked the Adelaide Hills in January 1955. [3] His London-born mother was not impressed with Australia, and she took Shorrock and his younger sister back to UK, just to go back to Australia for a 2nd attempt in 1956. [2] The household settled in Elizabeth 20 km (12 mi) north of Adelaide. [4] Shorrock’s very first public efficiency happened in 1958 in a Lutheran church hall– he was miming to Elvis Presley’s “” All Shook Up” “on a gramophone and strumming on a cardboard guitar when the gamer stopped– he was required to continue singing by himself and understood he had a good voice. [1] [5] In 1962, Shorrock formed his very first band, The Checkmates, with Clem McCartney, Mike Sykes and Billy Volraat. [6] They were a doo wop consistency group covering The Plates and The Team Cuts product. [7] In some cases partnering with critical groups, The Vector Guys or The Hurricanes, The Checkmates performed in Adelaide cafes and folk clubs. [8] As an outcome of The Beatles’ appeal, members of The Checkmates and The Hurricanes combined to form The Twilights in 1964. [7] [8] Main article: The Twilights In 1964 Shorrock, with McCartney as co-lead singer, formed The Twilights by merging with The Hurricanes’ Frank Barnard on drums, Peter Brideoak on guitar, Terry Britten on guitar and John Bywaters on bass guitar. [7] [8] Their debut single, “” I’ll Be Where You Are””, co-written by Shorrock and Britten, [9] was launched in June 1965. [8] The band had 8 consecutive hit songs including covers of The Velvelettes’ “” Needle in a Haystack” “and The Hollies’ “” Exactly what’s Incorrect with the Method I Live” “( taped at Abbey Roadway Studios in London). [8] With two divas, two guitar players and 5 vocalists, the Twilights carried out note-perfect covers of pop-rock songs and were famous for their live prowess. [8] They transferred to Melbourne late in 1965 and were popular with teenage audiences and appreciated by fellow artists. In July 1966, they won Hoadley’s Battle of the Sounds with the prize including a trip to London. [8] In 1967, shortly after returning from London, the group regularly carried out the entire Sgt Pepper’s album live in series, weeks prior to it was launched in Australia. [8] Shorrock wed his very first partner, Take legal action against, while he was a member of The Twilights. [1] The Twilights disbanded in January 1969 and Shorrock ended up being band supervisor for Brisbane pop group, The Avengers. [4] Axiom In May 1969 in Melbourne, Shorrock formed an early Australian ‘supergroup’, Axiom, with Brian Cadd on keyboards and vocals, Don Mudie on lead guitar (both ex-The Groop), Doug Lavery (The Valentines) on drums and Chris Stockley (Cam-Pact) on guitar. [10] They tape-recorded 2 extremely well-known albums, Fool’s Gold and If Just …; and had 3 top 10 singles, “” Arkansas Turf”” “,” Little Ray of Sunlight” “and “” My Child’s Gone” “on the Go-Set nationwide charts. [10] Axiom travelled to UK however disbanded there in March 1971, Shorrock had actually also parted with his first partner of 4 years, Take legal action against. [2] [3] Shorrock stayed in the UK to pursue his solo career, he signed with MAM Records and launched the self-penned “” Let’s Get the Band Together” “single in October 1971. [4] This was followed by a cover of “” Rock ‘n’ Roll Lullaby” “( composed by Barry Mann and Cynthia Weil) in March 1972. [4] As Andre L’Escargot and His Society Syncopaters, he released “” Purple Umbrella” “with his backing band being Quartet members Britten, Kevin Peek, Trevor Spencer and Alan Tarney. [4] He signed up with the multinational progressive rock band Esperanto, which released their debut album Esperanto Rock Orchestra in 1973 with the Shorrock written track “” Statue of Liberty””. [4] He left Esperanto prior to their 3rd album was launched in 1974 and performed backing vocals for Cliff Richard. [1] [4] Little River Band Mississippi was an Australian rock band which was working in UK with Beeb Birtles on vocals and guitar, Graham Goble (later on Graeham Goble) on guitar and vocals and Derek Pellicci on drums. They contacted Glenn Wheatley (previous bass guitar player for The Masters Apprentices) to become their manager. Birtles, formerly in Adelaide band Zoot, called Shorrock to participate in the line up. Shorrock went back to Australia in October 1974 and signed up with Mississippi in January 1975 in Melbourne. [11] They were quickly renamed as Little River Band with the original line up of Birtles, Goble, Pellicci, Shorrock and lead guitar player Ric Formosa and bassist Roger McLachlan. [2] The group went on to end up being among the most effective bands ever to come out of Australia, and the first to attain major industrial success in the United States. [3] For Little River Band, Shorrock wrote the hits “” Emma”, “” Assist Is on Its Method” “( Australian No. 1) and “” Cool Modification””. [4] While still a member of Little River Band, Shorrock launched a solo single, a cover of Bobby Darin’s 1959 hit “” Dream Fan” “in April 1979 on EMI, which peaked at No. 8 on the Kent Music Report Songs Chart. [6] [12] In February 1982, Shorrock left Little River Band and was replaced by previous 1960s pop vocalist, John Farnham who was handled by Wheatley. [8] Shorrock went back to Little River Band in 1988 but, in spite of several quality albums, they did not gain back the earlier stellar recognition. He left once again in 1991 leaving the identifying rights with guitarist Stephen Housden. [3] In May 2001 the Australasian Performing Right Association (APRA), as part of its 75th Anniversary events, named “” Cool Change””, as one of the Top 30 Australian songs of all time. [13] Later solo profession In 1982 Shorrock launched a solo album Villain of the Peace and a single, “” Rock-and-roll Soldier” “on Capitol Records tape-recorded in Los Angeles with John Boylan (Charlie Daniels, Little River Band) producing. “” Rock-and-roll Soldier” “reached the Australian top 40 in November but he did not accomplish the international success attained with Little River Band. Late in 1982 he toured Australia then teamed with Renée Geyer to launch a duet, “” Goin’ Back” “on Mushroom Records in February 1983. One of his backing singers was Wendy Matthews who had been a session singer in Los Angeles. [14]” We’re Coming to Get You””, which peaked at No. 6 in October, was tape-recorded with folk group, The Bushwackers it was the theme for the movie, We’re Pertaining to Get You. He launched “” Don’t Ladies Get Lonely?” “in November. In 1984, he recorded “” Agitated” for the documentary World Safari II: The Final Adventure. [4] In 1985, Shorrock released The First Twenty Years, which was a double-LP album compilation of his profession work with tracks by The Twilights, Axiom, Little River Band and solo work. [15] He was compere of Australian Broadcasting Corporation (ABC) TELEVISION music series, Rock Arena in 1986 and as a breakfast commentator for radio station Magic 11 in Sydney. [16] His solo single, “” American Flyers” “appeared in July. He performed on the trip of performance One for the Money in 1986– 87. [16] He appeared in other phase programs including his own showcase productions Go Cat Go (1990– 91) and 2 Up (1996 ).
On 25 March 1991, Shorrock was inducted into the Australian Recording Industry Association (ARIA) Hall of Popularity, along with modern rocker Billy Thorpe, bass-baritone Peter Dawson and jazz musician Don Burrows. [17] In 1993, he re-joined with Axiom band mate, Brian Cadd, to tape Blazing Salads and three singles for Blue Martin Records, and a subsequent two-year trip. [18] On trip Shorrock played his hit tunes, along with those of Axiom accompanied by Cadd and a backing band of Rex Goh on guitar (ex-Air Supply), Kirk Lorange on guitar (Richard Clapton Band) and Mark Kennedy on drums (Spectrum, Ayers Rock, Marcia Hines Band). [4] [18] Long Method to the Top was a 2001 ABC TELEVISION six-part documentary on the history of Australian rock and roll from 1956 to the modern era. [19] Shorrock provided interviews, “” In Awe of The Beatles”” “,” Being Pop Stars” “and “” Coming from the UK””, on his early years with The Twilights. [20] Long Way to the Leading Trip followed in August– September 2002 with Shorrock appearing with The Twilights in the very first set performing “” Exactly what’s Incorrect with the Method I Live?” “and “” Needle in a Haystack””; he returned in the second set with Axiom to perform “” Arkansas Grass” “and “” Little Ray of Sunshine””. [16] [21] In 2002 Shorrock reunited with other Little River Band founders Beeb Birtles and Graeham Goble to form Birtles Shorrock Goble. [16] On 17 October 2004, the 1970s members of Little River Band: Birtles, David Briggs, Goble, George McArdle, Derek Pellicci and Shorrock, were inducted into the ARIA Hall of Fame. [22] The later members consisting of fellow Australian, John Farnham, and US-based musicians, were not consisted of in this induction. [22] Due to a 2002 legal judgment on their right to utilize the band’s name– two US-based members held the hallmark– they carried out “” Assist Is on the Way” “as Classic Lineup of the Little River Band or Little River Band– Classic Lineup (sources vary). [22] Birtles Shorrock Goble taped a successful DVD and CD, Full Circle (2005) and visited until 2007. In August– September, the trio played an assortment of Little River Band hits at the Countdown Amazing 2 concert series.
In 2005 Shorrock also undertook his career-spanning The Thinking back Trip– Glenn Shorrock & & Friends with welcomed visitor singers consisting of Doug Parkinson and Wendy Matthews. [16] In May– June 2006, he partnered actress Judy Nunn on the first season of truth TELEVISION singing competitors, It Takes 2, they were voted off after week 3. [23] His very first solo CD for 7 years, On the other hand, which contains acoustic variations of his profession hits was launched in 2007 on the Liberation Blue label. He carried out The Beatles homage show Let It Be with Parkinson, Sharon O’Neill and Mark Williams. [24] In 2008 Shorrock toured with the musical Shout! The Legend of the Wild One, based upon the life of Australian rocker Johnny O’Keefe. [24] [25] In July 2010, Shorrock carried out a retrospective of his 45 years in the music market. [2] [5] Presently Glenn Shorrock continues to explore Australia carrying out for public and private occasions in Australia and promotes new regional music artists. In early 2013 Glenn and his band were headlining performers in Macau, New York City and London for the media launch of the Titanic II job. This was at the personal invite of Australian entrepreneur Clive Palmer.

AL-135B JL Highfill Album Image
the avengers
< img alt=" the avengers" src="" width=" 400"/ > Image by< a href="" >
San Diego Air & Area Museum Archives PictionID:38274883- Brochure: AL-135B 204- Filename: AL-135B 204. tif – This image is from an image album contributed to the Museum by JL Highfill that includes images taken in the Pacific throughout the Second World War ———– PLEASE TAG this image with any details you understand about it, so that we can completely store this information with the original image file in our Digital Property Management System. —————– SOURCE ORGANIZATION:
< a href="" rel =" nofollow" > San Diego Air and Area Museum Archive

Diana Rigg – Emma Peel
the avengers
< img alt=" the avengers" src ="" width =" 400"/ > Image by< a href ="" > Mondo Gasparotto Diana Rigg- Emma Peel

Cool X Men images

Take a look at these x guys images:

x men
< img alt=" x males" src="" width=" 400"/ > Image by< a href="" >

plynoi [Group of Guy on Horseback]
x men
< img alt=" x males" src="" width=" 400"/ > Image by< a href="" > SMU Central University Libraries

Title: [Group of Male on Horseback]
Creator: Stephenson, Henry W. (Henry White), 1858-1924

Date: ca. 1910-1920

Part Of: [American border soldiers and the Mexican Revolution] Location: Florencia, Coahuila de Zaragoza, Mexico Description: A group of men on horseback.

Physical Description: 1 photographic print: gelatin silver; 18 x 23 cm on 20 x 25 cm mount Upload File Call: ag1982_0015_229r_florencia_opt. jpg.

Rights: Please cite DeGolyer Library, Southern Methodist University when utilizing this file. A high-resolution variation of this file might be gotten for a fee. For details see the < a href="" rel=" nofollow" > web page. For other info, contact For additional information and to view the image
in high resolution, see:.< a href= "" rel=" nofollow" > Digital Collection:< a href="" rel=" nofollow" > Mexico: Photos, Manuscripts, and Imprints

X-MEN Origins: Wolverine
x men
< img alt=" x males" src ="" width =" 400"/ > Image by< a href ="" > kawabata in Japan,” X-MEN ZERO”

Basilica di Santa Croce

A few good assassins creed images I discovered:

Basilica di Santa Croce
assassins creed
< img alt=" assassins creed" src="" width=" 400"/ > Image by< a href= "" > Rodrigo_Soldon La basilica di Santa Croce, nell’ omonima piazza a Firenze, è una delle più grandi chiese officiate dai francescani e una delle massime realizzazioni del gotico in Italia. È nota come Tempio dell’ Itale glorie per le numerose sepolture di sommi artisti, letterati e scienziati che racchiude. La definizione risale al poema Dei Sepolcri di Ugo Foscolo in un passo in cui l’autore definisce Firenze:
Santa Croce è un simbolo prestigioso di Firenze, il luogo di incontro dei più grandi artisti, teologi, religiosi, letterati, umanisti e politici, che determinarono, nella buona e cattiva sorte, l’identità della città tardo-medievale e rinascimentale. Al suo interno trovarono ospitalità celebri personaggi della storia della Chiesa come san Bonaventura, Pietro di Giovanni Olivi, sant’ Antonio da Padova, san Bernardino da Siena, san Ludovico d’Angiò. Fu anche luogo d’accoglienza per pontefici come Sisto IV, Eugenio IV, Leone X, Clemente XIV.

Nei suoi archivi sono custodite testimonianze che ci tramandano la costruzione quotidiana, nel corso dei secoli, di un grande progetto architettonico, artistico e di fede.

La grandiosa basilica è probabilmente opera di Arnolfo di Cambio, che vi avrebbe lavorato a partire dal 1294-1295, anche se non abbiamo documenti scritti che lo confermino. La critica però ha confermato ormai l’attribuzione tradizionale, sia per l’elevato livello qualitativo del complesso, sia per le analogie con altre opere del grande architetto. Fu edificata a spese della popolazione della Repubblica fiorentina e sorse su una precedente piccola chiesetta che i francescani avevano costruito in seguito al loro arrivo in città nel 1252, in un luogo ancora fuori dalle mura, a pochi anni dalla morte di san Francesco d’Assisi. I resti dell’ antico edificio sono stati localizzati nel 1966, a seguito del cedimento del pavimento della basilica dopo l’alluvione. Alla morte di Arnolfo nel 1302 doveva essere completata la parte del coro e del transetto, con le cappelle. La chiesa venne terminata circa 90 anni dopo, attorno al 1385, ma fu consacrata solo nel 1443 in occasione della presenza in città di papa Eugenio IV.
La basilica ha continuato ad essere arricchita e modificata nei sette secoli dalla sua fondazione, acquisendo sempre nuovi connotati simbolici: da chiesa francescana a “” municipio” religioso per le grandi famiglie e le corporazioni, da laboratorio e bottega artistica a centro teologico, da “” pantheon” delle glorie italiane a luogo di riferimento della storia politica dell’ Italia pre e post-unitaria. Alcune trasformazioni infatti furono conseguenza di accurate vicissitudini storiche e politiche, come le trasformazioni compiute dal Vasari alla metà del XVI secolo (causate anche dai restauri dopo una disastrosa alluvione) o l’impegno profuso nell’ Ottocento per trasformare Santa Croce nel grande mausoleo della storia italiana.

Nel 1966 l’alluvione di Firenze inflisse gravissimi danni al complesso della basilica e del convento, situati nella parte più bassa di Firenze, tanto da diventare tristemente nota come simbolo delle perdite artistiche subite dalla città (soprattutto con la distruzione del Crocifisso di Cimabue), ma anche della sua rinascita dal fango, attraverso la capillare opera di restauro e di conservazione.

A Basílica de Santa Cruz, ou Basilica di Santa Croce é a primary igreja franciscana em Florença, na Itália, e uma das principais basílicas da Igreja Católica no mundo. Está situada na Piazza di Santa Croce, a lesta da Santa Maria del Fiore. É o lugar onde estão enterrados alguns dos mais ilustres italianos, tais como Michelângelo, Galileo Galilei, Maquiavel e Rossini, e assim é apelidada de Panteão das Glórias Italianas.

A lenda diz que a igreja foi fundada pelo próprio São Francisco de Assis. A atual igreja foi iniciada em 1294, possivelmente por Arnolfo di Cambio e foi bancada por algumas das famílias mais ricas da cidade. Foi consagrada em 1442 pelo Papa Eugênio IV. A vasta estrutura é a maior igreja franciscana do mundo. Suas características mais marcantes são as 16 capelas, muitas delas decoradas com afrescos de Giotto e seus alunos e os monumentos funerários. O campanário foi construído em 1842.

No Primo Chiostro, o principal claustro, encontra-se a Capela Pazzi, construída como uma sala capitular entre 1442 e 1446 e finalmente completada em 1470. Filippo Brunelleschi esteve envolvido em seu projeto.

O Museo dell’ Opera di Santa Croce está localizado basicamente no refeitório, fora do claustro. Um monumento a Florence Nightingale está no claustro, na cidade onde ela nasceu e da qual recebeu o nome.

Hoje, o antigo dormitório dos Frades Franciscanos abriga a Scuola del Cuoio (Escola do Couro). Os visitantes podem ver os artesãos criando carteiras, bolsas e outros objetos que são vendidos na loja adjacente.

The Basilica di Santa Croce (Basilica of the Holy Cross) is the primary Franciscan church in Florence, Italy, and a minor basilica of the Roman Catholic Church. It is located on the Piazza di Santa Croce, about 800 metres south east of the Duomo. The site, when first chosen, was in marshland outside the city walls. It is the tomb of some of the most remarkable Italians, such as Michelangelo, Galileo, Machiavelli, Foscolo, Gentile and Rossini, therefore it is known also as the Temple of the Italian Magnificences (Tempio dell’Itale Glorie).

The Basilica is the largest Franciscan church in the world. Its most significant features are its sixteen chapels, a number of them decorated with frescoes by Giotto and his students, and its tombs and cenotaphs. Legend says that Santa Croce was founded by St Francis himself. The building and construction of the present church, to change an older structure, was begun on 12 May 1294 [1], perhaps by Arnolfo di Cambio, and paid for by a few of the city’s wealthiest households. It was consecrated in 1442 by Pope Eugene IV. The structure’s design reflects the austere approach of the Franciscans. The floorplan is an Egyptian or Tau cross (a sign of St Francis), 115 metres in length with a nave and 2 aisles separated by lines of octagonal columns. To the south of the church was a convent, some of whose structures remain.

In the Primo Chiostro, the main cloister, there is the Cappella dei Pazzi, built as the chapter house, finished in the 1470s. Filippo Brunelleschi (who had actually created and executed the dome of the Duomo) was associated with its design which has actually stayed rigorously simple and unadorned.

In 1560, the choir screen was removed as part of modifications developing from the Counter-Reformation and the interior rebuilt by Giorgio Vasari. As a result, there was damage to the church’s decoration and most of the altars formerly located on the screen were lost.

The campanile was built in 1842, replacing an earlier one harmed by lightning. The neo-Gothic marble façade, by Nicolò Matas, dates from 1857-1863.

A Jewish architect Niccolo Matas from Ancona, created the church’s 19th century neo-Gothic exterior, working a prominent Star of David into the composition. Matas had wanted to be buried with his peers however because he was Jewish, he was buried under the porch and not within the walls.

In 1866, the complex became public home, as a part of federal government suppression of the majority of spiritual homes, following the wars that gained Italian self-reliance and unity. [2] [3]
The Museo dell’Opera di Santa Croce is housed generally in the refectory, likewise off the cloister. A monument to Florence Nightingale stands in the cloister, in the city in which she was born and after which she was called. Brunelleschi also constructed the inner cloister, completed in 1453.

In 1966, the Arno River flooded much of Florence, including Santa Croce. The water entered the church bringing mud, contamination and heating oil. The damage to buildings and art treasures was severe, taking several decades to fix.

Today the former dorm of the Franciscan Friars houses the Scuola del Cuoio (Leather School) [1] Visitors can watch as craftsmens craft purses, wallets, and other leather goods which are offered in the nearby shop.

It is briefly featured in the computer game Assassin’s Creed II, as Ezio Auditore da Firenze makes his first popular kill in its yard during an exhibition of Verrochio’s art work.

Assassin’s Creed
assassins creed
< img alt="assassins creed"src =""width ="400"/ > Image by Tronius Expomanga Madrid 2015

Image from page 304 of “Polygamy; or, The mysteries and crimes of Mormonism, being a full and genuine history of this weird sect from its origin to the present time.” (1904 )

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Image from page 304 of “Polygamy; or, The mysteries and crimes of Mormonism, being a complete and authentic history of this odd sect from its origin to the present time.” (1904 )
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: polygamyormyster00bead Title:< a href=" "> Polygamy; or, The secrets and criminal offenses of Mormonism, being a full and authentic history of this strange sect from its origin to the present time. Year:< a href="" > 1904(< a href="" > 1900s) Authors:< a href="" > Beadle, J. H.( John Hanson), 1840-1897. Subjects:< a href="" > Mormons.
Publisher: < a href="" > Philadelphia, Pa., National publishing co.
. Contributing Library: < a href= "" > Rutgers University Libraries Digitizing Sponsor
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> Book Viewer About This Book:< a href="" rel=" nofollow" > Brochure Entry View All Images:< a href="" > All Images From Book Click on this link to< a href="" rel=" nofollow "> view book online to see this illustration in context in a browseable online variationof this book. Text Appearing Prior to Image: e polygamist istruly to be pitied, having robbed himself of a pure satisfaction toadd a little (possibly?) to his satisfaction of sense. The medical professional, as I thought and prompted upon him beforehand, distributed hiscase M ^ hen he consented to think about the ancient Jews as our ex-ample. The Jews began as a country of slaves to a country ofidolaters.; as the servant is inferior to the master, so were they in-ferior to a nation which worshipped gods of toads, flies, and allthe horrible monsters of the Nile. From this abject positionthe Jews were highlighted for an unique function and an excep-tional profession. They borrowed without intent to pay; theyrobbed and ransacked all with whom they came in contact, andsatisfied their consciences by keeping the dead letter of a treaty, when grossly breaking its spirit. They inveigled Canaanitesinto their camp and massacred them; they turned cities andvalleys into reeking slaughter-pens; they cut off the fingers andtoes of captive kings, and drove harrows over the common peo-

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A MORMONS CHILD PLEADING TO BE SAVED FROM POLYGAMY. (241) 16 242 POLYGAMY; OR, THE MYSTERIES pie; they minimized ladies and children to the most abject slav-ery, and by their own statement, annihilated whole nationsat Gods command. The Almighty just permitted their polygamy; he commandedthem to massacre the heathen. If their allowed polygamy bean example to us, how much more their commanded war uponunbelievers. Undoubtedly these things were not written for our ex-ample. If the Mormons were major in taking the Jews astheir model, then would they become of rational requirement thecommon enemies of the mankind, and deserve utter exter-mination. Or shall we take the boasted examples of the Patri-archs? I Abrahams wife was his half-sister, his 2nd acolored woman; he practised polygamy, and drove away hisconcubine and her child to pass away in the wilderness; he sworefalsely in Egypt when it matched his function, and stood ready toslay his child Isaac. Neither act is condemned in express wordsby

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Image from page 267 of “The Dorcas club; or, Our girls afloat” (1874 )
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Identifier : dorcascluborourg00adam Title:< a href="" > The Dorcas club; or, Our women afloat Year:< a href="" > 1874(< a href="" > 1870s) Authors:< a href="" > Adams, William Taylor, 1822-1897 Subjects:. Publisher:< a href ="" > Boston: Lee and Shepard< a href="" > New York, Lee, Shepard & Dillingham Contributing Library:< a href="" > University of California Libraries Digitizing Sponsor:< a href="" > MSN View Book Page:< a href="" rel=" nofollow" > Book Viewer About This Book:< a href="" rel=" nofollow" >
Brochure Entry View All Images:< a href="" > All Images From Book Click here to< a href="" rel=" nofollow" > view book online to see this illustration in context in a browseable online variation of this book. Text Appearing Before Image: bay, fifty feet down. Exactly what do you imply, sir? If you say one word moren I inform you

to, youll wrong me, and 3oull wrong– THE DORCAS CLUB. 247 Whom? asked Prince, when the old manpaused. Mr. Longimore! Prince was completely thrilled now. 248 THE DOECAS CLUB. CHAPTER XIII. MOM AND CHILD. T ~ Image from page 284 of” Romantic Germany”( 1910)< img alt =" doctor unusual" src= " "width=" 400"/ >
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Title: < a href ="" > Romantic Germany Year:< a href="" > 1910(< a href="" > 1910s) Authors:< a href="" > Schauffler, Robert Sanctuary, 1879-1964 Topics:< a href="" > Cities and towns– Germany< a href="" > Germany– Description and travel Publisher:< a href="" > New york city: The Century Co. Contributing Library:< a href="" > University of California Libraries Digitizing Sponsor:< a href="" >
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< a href=”” rel=” nofollow” > Book Audience
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” > Catalog Entry View All Images:< a href="" > All Images From Book Click on this link to< a href="" rel=" nofollow" > view book online to see this illustration in context in a browseable online variation of this book. Text Appearing Before Image: Exposition. And there are Klingers early experi-ments in colored marble– the Salome, the Cassan-dra, and the Bathing Woman. However the one part ofindoor Leipsic that lives most clearly in my memoryis the room where the pallid spirit of Beethovendreams forever on a throne of blue and bronze andivory. From doors the most appealing part of town tome is Naundorfchen. There is something of Veniceand Amsterdam and old Hamburg in the way itnestles down to the curving, canal-like river, withits captivating, nondescript homes on stacks. Backfrom the tiny cottages on the small river, with theirglamourous windows, whence old guys fish the live-long day, and with their flowering, unordered gar-dens loaded with romping children, the roofings swing tieron tier in a hundred gracious curves, with a lilt andan Old-World grace that remember the roofs of Nurem-berg. A ramshackle skiff drifting below Naundorf-chen– that is the location to rid ones feet of the lastgrain of modern-day, urbane dust– that is the location 258 Text Appearing After Image: ox THE PLEISSE IN THE NArXDuRFCHEX QUARTER LEIPSIC to ponder the unusual history of Physician Faustus, or to discover in some black-letter book a lyric such asthis by the dusty poet Golmeyer: Leipzic pass away fiirnehm Handels Statt, ein Windisch Volk erbawet hat, welchs man Soraben hat genandtdas weit und breit worden bekandt.Es war zwar Liptz ihr erster Nam, den sie vom Lindenbusch bekam, so in der Gegend gstanden ist, wie man hiervon gschrieben list.( Leipsic, the magnificent town of trade, Was by a Wendish individuals made, A people that were Sorbs yclept, Whose popularity about the land hath crept.Liptz was undoubtedly its earliest name.Which from a wood of lindens cameThat stood in the vicinity, As all the scribes of old agree.) 261 Note About Images Please keep in mind that these images are drawn out from scanned page images that may have been digitally enhanced for readability- pigmentation and appearance of these illustrations may
not completely resemble the initial work. 3oii actually imply that] Ir. LongimoreJLJ ^ is alive? asked Prince of liis eccen-tric buddy. I hope I haint made no error in tellinyou, replied Simon Potter, doubtfully. – You have actually not made a mistake; that is– Prince stopped there, for it suddenly occurredto him that he could not he a party to the con-cealment of one charged witli robbing the bankof forty thousand dollars in bonds. That ij! repeated the strange man. -! see! I aint no physician, however I can check out yourthoughts, Mr. Longimore Avont be sent out tojail; hell die fust. I wont be the cause ofsendin him to jail; Ill pass away fust. Now, Prince, let me tell you jest how itll all v/ork. Youllgo up to the city, tell tlie president of the bank, Text Appearing After Image: CL, THE DORCAS CLUB. 249 or the deputy sheriff, or some one else, tlmt Mr.Lonjimore i.i alive, which Simon Potter knowssoraoMiin ^ about him. The sheriff comes downto Northport to look after me. lie do not discover me.Whore am I? A cold body,

fifty feet underwater. I cant tjli nothin then– can I? I ought to say not, responded Prince, breathlesswith iutorcit. He cant git even a hint out of me; butthe constable will begin with my location to look afterthe cashier. Where is he? A cold body, fiftyfeet under water! He wont do the bank officersno excellent then. Bat where is Mr. Longimore? – I haint informed you. You have as good as informed me he lives, Then his life and mine remains in your hands, responded Simon Potter. He couldnt stand itno longer; and sumthin needed to be done. Hofixed on you to do it. What can I do? Im only a boy, pleadedPrince, blown away by the terrible responsibility imposedupon him. Just inform his v/ife and the earliest darter thathe aint dead. Nothiu more. 250 THE DOBCAS CLUB. But how can I understand anyt Keep in mind About Images Please note that these images are drawn out from scanned page images that may have been digitally enhanced for readability -coloration and appearance of these illustrations may not completely resemble the initial work.